80s電影When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony.　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

90多歲的老夫妻安東尼奧和貝莎所在的國家發生了嚴重的社會和經濟危機，導致老夫妻的養老金停發、生活陷入困8090電影。無奈，兩個兒子已消失多年，為了生存，老夫妻只能變賣家當，依靠當街售賣玉米粉蒸肉來維持生計。出乎意料的是，陷入困境的生活突然發生了轉變：兒子，帶著孫子回來了。兒子Jonas（JoséSefami飾）和孫子Paco（FranciscoBarreiro飾）的出現讓二老的精神生活突然起了變化，而這些是否能帶給他們一些溫暖呢？

身為食人族的后裔，必須沿襲食人傳統，進行慘絕人寰的血腥儀式，但帶領家人獵食的爸爸忽然去世，留下三個孩子一個媽，這場狩獵將如何繼續？誰將成為人肉獵捕的對象？巨大的饑餓感在體內轉化成邪惡欲望，一旦爆發，后果將無法設策馳影院。最餓，成為罪惡。挑戰食物鏈禁忌最底線，下一頓，誰將會是‘同桌’共享餐點的貴賓？